African American curly hair cuts, Afro, etymology and history in the United States, similar to international level, instruments styles

Afro, sometimes abbreviated to ‘ fro and also known as “natural”, is a natural hairstyle worn by people with long texture of curly hair, or particular style in such a way by people with naturally curly or smooth hair. The hairstyle is created by the hairstyle of the hair of the scalp, allowing the hair extends out from the head in a big way, rounded, like a halo, cloud or ball.

African American curly hair cuts, Afro, etymology and history In people with naturally curly or smooth hair, hairstyle is normally created with the help of creams, gels, or other liquids solidify to keep hair in place. Especially popular in the late 1960’s African-American community, the hairstyle is frequently formed and is maintained with the help of a wide-toothed comb colloquially known as afro pick.


Afro is derived from the term “African American”. The hairstyle is also known by some as the “natural” – in particular, the versions of shorter, less elaborate of the Afro-since in the majority of cases, the hair is left untreated by relaxers or chemical straightening and instead allows you to express your natural curl or perversion.

History in the United States

In the 1860’s, a style similar to the afro was worn by the beauties of the Caucasus, sometimes known as “Moss-haired girls”, a group of women exhibited in places of fair in the United States by PT Barnum and others. These women are claimed to be of the people of the Caucasus in the North Caucasus region, and marketed for the white audience captivated by the “exotic East” as pure examples of the Caucasian Caucasians being held as sex slaves in Turkish harems. It has been argued that this portrait of a white woman as a slave rescued during the American Civil war played on the racial connotations of slavery at the time for which the affiliates styling hallmarks of white fair of the Caucasus with the African American identity, and therefore:

resonates oddly yet strongly with the rest of her identifying significations: her racial purity, sexual slavery, its position as colonial subject and its beauty. Mixed elements of the Caucasus of white Victorian true womanhood with traits of African American women enslaved in a curiosity.

African American hairstyles before 1960’s

 During the history of slavery in the United States, African Americans more style your hair in an attempt to imitate the styles of predominantly white society in which they lived. Hair afro-textured, characterized by their curls, waves or kinks, has been described as curly, thick, cottony, diapers or woolly. These characteristics represent the antithesis of the Euro-American standard of beauty and took a negative view of curly, frizzy hair, and as a result, the practice of braided hair and straighten gained popularity among African-Americans.

The process of the hair often included the application of caustic substances, such as relaxing containing bleach, which needed to be applied by a stylist with experience in order to avoid burning the scalp and ears. At the end of the Decade of the 1890s/early 1900, Madam CJ Walker also popularized the use of the hot comb in the United States. Those who chose to not try to artificially hair often the choice of style in pigtails or braids. With all of these methods of hairdresser, if done incorrectly, ran the risk of damaging the hair shaft, sometimes resulting in the loss of hair.


The effect of the African-American civil rights movement brought a renewed sense of the identity of the African-American community, which also resulted in a redefinition of personal style that includes an appreciation of the beauty and the African aesthetic, which is specified by the black is beautiful movement. This cultural movement marked the return to non-treated natural hairstyles. The Afro became a powerful political symbol that reflected the black pride and a rejection of notions of assimilation and very different from the long hair integracion-no and untreated fun by hippies, mainly white. For some, the Afro also represented a restorative link to Africa, however, some critics have suggested that the afro hairstyle is not particularly of Africa: in his book welcome to the jungle: new positions in black cultural studies, cultural critic Kobena Mercer held than the current half of 20th century African society did not consider or hairstyle to denote any “africanity” in particular , on the other hand, some Africans were considered that these styles mean “in the first place-worldness”. Similarly, Brackette. F. Williams said in his book the stains on my behalf, war in my veins: Guyana and the cultural policy the born.

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